I felt a tap on my right shoulder. It was the bus driver signaling me we’re near the last stop. I didn’t know I already dozed off in front of this mini-bus on my way back to Yogyakarta. I had an early start that day visiting Candi Borobudur before sunrise and now I head back that afternoon to Yogyakarta this time for Candi Prambanan. One of the UNESCO Heritage Sites in Central Java, often times shadowed by the nearby Candi Borobudur.
I squint my eyes as I look towards the afternoon sun. A large imposing silhouette loomed before me hiding a visage of one of the worlds sacred and impressive monuments, the Borobudur Temple (Candi Borobudur). This huge Buddhist monument, which is also listed in UNESCO’s world heritage list, almost had the same awe-factor I had when I saw Angkor Wat for the first time. I walk towards this colossal stupa with excitement to discover closely this place which name has already enchanted me for some time.
After a full day of exploring Jumog Waterfalls, Sukuh and Cetho Temple outside Solo, I decided to take it easy that morning at Istana Griya Hotel. Dabbing my wounds with ointment the night before I can still feel the sting and the soreness underneath the skin. It’s a good thing today is about transit, going from Solo to Magelang for Manohara Hotel Borobudur.
I’ve seen the fascinating Batik patterns in many shops when I was wandering the streets of Solo Indonesia. An Indonesian Batik is a cloth traditionally made using a wax-resistant dyeing technique. It is believed the age old tradition of batik making was introduced in Java between 6th and 7th century from India and Sri Lanka. Batik are usually sold in meters (2-2.5m) like tubes or sarong, but these days wit has been widely popular for contemporary use like a polo shirt for formal occasions (akin to Filipino’s barong) or a kebaya, similar to what the female flight attendants of Garuda Airline wear. Interestingly, the Indonesian Batik was also awarded by UNESCO as one of the “Masterpieces of the Oral and Intangible Heritage of Humanity”, this makes it worthwhile to go deeper and inspect how these Indonesian Batik are made.
The great glory of travel, to me, is not just what I see that’s new to me in countries visited, but that in almost every one of them I change from an outsider looking in to an insider looking out.
The gentle early morning chill accompanied us as we climbed the ancient stairs of this 8th century monument. Flash lights beam on our path as we made our way on the top of the largest single Buddhist monument in the world, the Borobudur. Like the other great monuments in Southeast Asia like Angkor Wat in Cambodia, Luang Prabang in Laos or Bagan in Myanmar, Borobudur has also been one of my dream destinations. And here I am standing on its upper levels, marvelling at Borobudur under the dawn sky, waiting for the light to reveal your magnificence.
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When in Melaka, it’s not enough to admire the many shophouses lining up in Jonker Walk. There are several shophouses turned museums in Melaka that it’s worth walking inside one of them to get a deeper insight on Melaka’s history and culture. One that I would highly recommend visiting is the Cheng Ho Museum found near the tail end of Lorong Hang Jebat before the bridge. With a floor area spanning 55,000 square feet, occupying about 8 units of old shophouses dating back to 1786 and three floors of artefacts, it is considered as the largest museum in Melaka.
After our 2-day program in Melaka, we bid goodbye to our faithful eating companions. Some of us, like me, decided to stay longer in Melaka to explore. It was afternoon and I decided to walk. Walking gives me better grasp of a place’s layout and it is only now that I realised most of the attractions in Melaka are walkable. From the Jonker Walk, I crossed the east bridge and dodged the flow of traffic to reach the famous Melaka’s Dutch Square.